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Vous avez sélectionné:
Editions Melodia
Partitions à imprimer
13 partitions trouvées
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1
OSTINATO MELODIA
OSTINATO MELODIA
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Piano seul
#
INTERMÉDIAIRE
#
New Age
#
Contemporain
#
Alvin Lloyd Masters
#
OSTINATO MELODIA
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Blue Jay Music , Alvin Lloyd Masters Editions
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1018696 Composed by Alvin Lloyd Masters. 20th Century,Concert,Contemporary,New Age. Score. 4 pages. Blue Jay Music , Alvi...
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Piano Solo - Level 3 - SKU: A0.1018696 Composed by Alvin Lloyd Masters. 20th Century,Concert,Contemporary,New Age. Score. 4 pages. Blue Jay Music , Alvin Lloyd Masters Editions #1924287. Published by Blue Jay Music , Alvin Lloyd Masters Editions (A0.1018696). Modern sounding melodic work great for intermediate students ! Simple bass patterns make the song fun to play and it sounds great ! Okay for students with smaller hands but not too easy .
$3.99 ≈
3.72€
Nocturne, Op. 22 - Alkan
Nocturne, Op. 22 - Alkan
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Piano seul
#
INTERMÉDIAIRE
#
Charles-Valentin Alkan
#
Theoria Music
#
Nocturne, Op. 22 - Alkan
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Theoria Music Publishing
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.894351 Composed by Charles-Valentin Alkan. Arranged by Theoria Music. Romantic Period,Standards. Score. 6 pages. Theoria ...
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Piano Solo - Level 3 - SKU: A0.894351 Composed by Charles-Valentin Alkan. Arranged by Theoria Music. Romantic Period,Standards. Score. 6 pages. Theoria Music Publishing #4837177. Published by Theoria Music Publishing (A0.894351). Nocturne, Op. 22 by Charles-Valentin Alkan, is an example of a traditional nocturne, similar in style to that of Chopin. This piece was first published and first performed in 1844. Take a listen to this beautiful nocturne and see for yourself why Alkan's music has gained a renewed interest to pianists of all types, professional and amateur.Publisher: Editions MelodiaWebsite: https://sheetmusicmarket.com .
$1.99 ≈
1.86€
The Last Rose of Summer, Op.73 - Thalberg
The Last Rose of Summer, Op.73 - Thalberg
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Piano seul
#
AVANCÉ
#
Classique
#
Sigismond Thalberg
#
Editions Melodia
#
The Last Rose of Summer, Op.73
#
James Keenan
#
SheetMusicPlus
Piano Solo - Advanced - Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period. 10 pages. Published by James Keenan...
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Piano Solo - Advanced - Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period. 10 pages. Published by James Keenan
Originally a poem written by Thomas Moore in 1805, "The Last Rose of Summer" is based upon the Irish traditional tune of "Aislean an Oigfear", or "The Young Man's Dream."
Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing.[57] He was greatly in fashion and was imitated by others.[58] In 1852, Wilhelm von Lenz wrote:
'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.'
Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote:
'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'.
Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end.
In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this.
'His bravura pieces, fantasies on melodies from Rossini's Mos? and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard.'
$3.00 ≈
2.80€
Romance et tude (Romance and Etude), Op. 38 - Thalberg
Romance et étude (Romance and Etude), Op. 38 - Thalberg
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Sigismond Thalberg
#
Editions Melodia
#
Romance et étude
#
James Keenan
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period, Etudes and...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period, Etudes and Exercises, Technique Training, Recital. Score, Sheet Music Single. 14 pages. Published by James Keenan
Thalberg (1812-1871) was a renowned piano virtuoso and composer. His technical specialty, since widely imitated, was to play a central melody with the thumb of either hand and surrounding it with brilliant arpeggios and arabesques.
Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing. He was greatly in fashion and was imitated by others. In 1852, Wilhelm von Lenz wrote:
'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.'
Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote:
'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'.
Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end.
In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this.
'His bravura pieces, fantasies on melodies from Rossini's Mos? and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard'.
$1.99 ≈
1.86€
Berceuse (Lullaby or Cradle Song) - Thalberg
Berceuse (Lullaby or Cradle Song) - Thalberg
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Piano seul
#
INTERMÉDIAIRE
#
Sigismond Thalberg
#
Editions Melodia
#
Berceuse
#
James Keenan
#
SheetMusicPlus
Piano Solo - Intermediate - Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period, Repertoire, Recital. Score, Sheet M...
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Piano Solo - Intermediate - Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period, Repertoire, Recital. Score, Sheet Music Single. 5 pages. Published by James Keenan
Thalberg (1812-1871) was a renowned piano virtuoso and composer. His technical specialty, since widely imitated, was to play a central melody with the thumb of either hand and surrounding it with brilliant arpeggios and arabesques.
Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing. He was greatly in fashion and was imitated by others. In 1852, Wilhelm von Lenz wrote:
'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.'
Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote:
'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'.
Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end.
In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this.
'His bravura pieces, fantasies on melodies from Rossini's Mos? and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard'.
$1.99 ≈
1.86€
AL SANTO SEPOLCRO Sinfonia in Si minore RV 169
AL SANTO SEPOLCRO Sinfonia in Si minore RV 169
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Ensemble de cuivres
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FACILE
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Classique
#
Antonio Vivaldi
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Alessandro Macrì
#
AL SANTO SEPOLCRO Sinfonia in
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Music Macri Editions
#
SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.931338 Composed by Antonio Vivaldi. Arranged by Alessandro Macrì. Baroque,Easter,Sacred. Score and parts. 21 pages. ...
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Brass Ensemble - Level 2 - SKU: A0.931338 Composed by Antonio Vivaldi. Arranged by Alessandro Macrì. Baroque,Easter,Sacred. Score and parts. 21 pages. Music Macri Editions #6858985. Published by Music Macri Editions (A0.931338). Ritroviamo le donne dove le abbiamo lasciate la sera del Venerdì. Eccole all’alba del primo giorno della settimana. Ci accompagnano i racconti evangelici di Matteo, Giovanni e Luca. La musica cambia. Il silenzio del Venerdì lascia posto a una melodia che unisce malinconia e speranza. È la musica che Antonio Vivaldi immagina nella sua Sinfonia al Santo Sepolcro.Dopo aver percorso le tappe di Gesù verso Gerusalemme, dopo aver rivissuto la Passione e dopo aver intrapreso la Via Crucis percorriamo ora le tappe della Via Lucis attraverso gli incontri di Gesù Risorto con i suoi discepoli.Un angelo del Signore, sceso dal cielo, si avvicinò, rotolò la pietra e si pose a sedere su di essa. Il suo aspetto era come folgore e il suo vestito bianco come neve. Per lo spavento che ebbero di lui, le guardie furono scosse e rimasero come morte. L’angelo disse alle donne: «Voi non abbiate paura! So che cercate Gesù, il crocifisso. Non è qui. È risorto, infatti, come aveva detto; venite, guardate il luogo dove era stato deposto».
$13.00 ≈
12.13€
Sarabande from Suite in D minor by G. F. Händel
Sarabande from Suite in D minor by G. F. Händel
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G
#
Alessandro Macrì
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Sarabande from Suite in D mino
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Music Macri Editions
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.931243 Composed by G. F. Händel. Arranged by Alessandro Macrì. Baroque,Film/TV,Instructional. 21 pages....
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Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.931243 Composed by G. F. Händel. Arranged by Alessandro Macrì. Baroque,Film/TV,Instructional. 21 pages. Music Macri Editions #5751081. Published by Music Macri Editions (A0.931243). La Sarabanda, appartenente alla Suite per clavicembalo in Re minore numero 11 (HWV 437), è uno dei brani musicali più belli e famosi di Georg Friedrich Händel, musicista tedesco tra i più illustri del periodo barocco. Il IV movimento della Suite handeliana fu conosciuto dal grande pubblico quando il compositore statunitense Leonard Rosenman (1924-2008) lo riarrangiò inserendo nell'esecuzione archi e timpani; in tal guisa fu inserito da Stanley Kubrick nel suo capolavoro cinematografico Barry Lyndon (1975). Qui lo si può ascoltare nei momenti più emozionanti e trascinanti, dove assume un ruolo determinante, trasmettendo alle scene un'atmosfera di un fascino incredibile. Probabilmente Händel, quando compose questa indimenticabile melodia (scritta tra il 1703 ed il 1706), s'ispirò ad un'opera strumentale di Arcangelo Corelli: La Follia, ovvero una sonata (con variazioni sull'omonimo tema) inserita quale ultima dell'Op. 12 (1900) del musicista italiano. Per la stesura del brano citato, Corelli aveva preso a sua volta spunto da un tema musicale portoghese di origine popolare, nato tra il XVI ed il XVII secolo.
$9.00 ≈
8.40€
Piano Concerto n. 2 Third Movement
Piano Concerto n. 2 Third Movement
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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DÉBUTANT
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S
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Alessandro Macrì
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Piano Concerto n. 2 Third Move
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Music Macri Editions
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1195453 Composed by S. Rachmaninov. Arranged by Alessandro Macrì. 19th Century,Chamber,Cla...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1195453 Composed by S. Rachmaninov. Arranged by Alessandro Macrì. 19th Century,Chamber,Classical,Film/TV. 11 pages. Music Macri Editions #794622. Published by Music Macri Editions (A0.1195453). Il Concerto per pianoforte e orchestra n. 2 in do minore, Op. 18 è il più popolare ed eseguito dei quattro concerti per pianoforte del compositore russo Sergej Vasil'evič Rachmaninov, nonché uno dei concerti per pianoforte più famosi di tutti i tempi. Fu composto tra il 1900 ed il 1901.Il terzo movimento riprende il tono marziale del primo movimento, ma con un'atmosfera più ironica. Il primo tema ha un carattere guizzante, saltellante; dopo una sua elaborazione, si arriva al secondo tema, dolcemente cantabile, presentato dalle viole e dall'oboe e ripreso dal pianoforte, tema che indubbiamente può essere considerato tra i più belli e i più celebri fra tutti quelli composti da Rachmaninov. Lo sviluppo centrale si basa sul primo tema, che viene spezzettato ed alternato fra il solista e vari strumenti, con un accenno di un passo fugato. Questo sviluppo si salda praticamente con la ripresa, che si afferma con il ritorno, adesso con i violini, del secondo tema. Da qui deriva una nuova elaborazione prevalentemente mossa che porta, con il cambio della tonalità in do maggiore, alla trionfale affermazione del secondo tema (che quindi è il vero protagonista del finale) a piena orchestra. Segue una breve coda nuovamente mossa che in un clima ora festoso e trascinante porta alla conclusione. Terminano il brano tre accordi ripetuti che rappresentano la firma ritmica del compositore: ta- tatata (Rach - maninov).Esiste una leggenda riguardo al famosissimo secondo tema di questo movimento. A detta del critico Leonid Sabaneev tale tema non sarebbe di Rachmaninov, ma di un suo amico, Nikita Morozov. Ascoltando un brano di Morozov, Rachmaninov avrebbe detto: Oh, ma è una melodia che avrei potuto comporre io. Ebbene, perché non te la prendi?, avrebbe risposto Morozov, e Rachmaninov non si sarebbe fatto pregare.
$8.00 ≈
7.46€
Symphony n. 7 - Movie Brass Series by L. van Beethoven
Symphony n. 7 - Movie Brass Series by L. van Beethoven
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Classique
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Ludwig van Beethoven
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Alessandro Macrì
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Symphony n. 7 - Movie Brass Se
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931253 Composed by Ludwig van Beethoven. Arranged by Alessandro Macrì. Classical,Concert,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931253 Composed by Ludwig van Beethoven. Arranged by Alessandro Macrì. Classical,Concert,Film/TV,Graduation,Instructional. Score and parts. 16 pages. Music Macri Editions #5790375. Published by Music Macri Editions (A0.931253). La Sinfonia n. 7 in la maggiore Op. 92 fu composta da Ludwig van Beethoven fra il 1811 e 1812. Fu eseguita per la prima volta l'8 dicembre 1813 a Vienna.Secondo Movimento: AllegrettoIl movimento è aperto e chiuso da un accordo dolente in la minore. Il primo tema, basato su una melodia dal ritmo marcato, quasi in passo di marcia, è ripetuto più volte progressivamente arricchito nel contrappunto. Il secondo tema, in maggiore, ha andamento cantabile.
$9.00 ≈
8.40€
All Of Them!
All Of Them!
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Ensemble de cuivres
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FACILE
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Contemporain
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Hans Zimmer
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Alessandro Macrì
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All Of Them!
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.931314 Composed by Hans Zimmer. Arranged by Alessandro Macrì. Contemporary. Score and parts. 15 pages. Music Macri E...
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Brass Ensemble - Level 2 - SKU: A0.931314 Composed by Hans Zimmer. Arranged by Alessandro Macrì. Contemporary. Score and parts. 15 pages. Music Macri Editions #6691799. Published by Music Macri Editions (A0.931314). King Arthur segna la quinta collaborazione cinematografica del produttore Jerry Bruckheimer con il compositore Hans Zimmer, uno dei talenti musicali più innovativi di Hollywood, giunto al successo nel mondo della musica pop come membro di The Buggles: chi non ricorda il tormentone lanciato da tutte le radio, Video killed the radio star, che contribuì a far nascere una nuova era musicale? Quello stesso anno, Zimmer fa il suo ingresso nel mondo della musica cinematografica grazie al famoso compositore Stanley Meyers (Il cacciatore), con l’apprezzato film drammatico Moonlighting. La sua collaborazione con Meyers è proseguita con il film My beautiful laundrette di Stephen Frears e La signora in bianco di Nicholas Roeg, imparando a fondere l’uso di percussioni tramite sintetizzatori con la melodia classica. Dopo 15 collaborazioni con Meyers, Zimmer ha iniziato la sua carriera solista nel 1988, con Un mondo a parte. Il compositore ha vinto l’Oscar per la migliore colonna sonora originale del cartone animato Disney Il Re Leone, nonché un Golden Globe, due Grammy e un Tony per la trasposizione teatrale del film a Broadway. La colonna sonora de Il Gladiatore di Ridley Scott gli è valsa un Golden Globe e il Broadcast Film Critics Award e un’altra nomination all’Oscar. L’album ha venduto 3.000.000 di copie in tutto il mondo e, visto lo straordinario successo, ha addirittura avuto un seguito con Gladiator: More music from the motion picture. Anche per King Arthur, Zimmer ha adottato la sua formula vincente: musica innovativa abbinata a film di grande impatto.
$13.00 ≈
12.13€
Heart And Soul
Heart And Soul
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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DÉBUTANT
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Jazz
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Hoagy Carmichael
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Alessandro Macrì
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his Orchestra
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Heart And Soul
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.931254 Composed by Hoagy Carmichael. Arranged by Alessandro Macrì. Jazz. Score and parts....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.931254 Composed by Hoagy Carmichael. Arranged by Alessandro Macrì. Jazz. Score and parts. 20 pages. Music Macri Editions #5790393. Published by Music Macri Editions (A0.931254). Heart and Soul è una canzone popolare. La musica è stata scritta da Hoagy Carmichael, le parole da Frank Loesser, fu pubblicata nel 1938. La versione originale del 1938 fu eseguita da Larry Clinton & his Orchestra con Bea Wain. La melodia della canzone viene ripresa in chiave moderna nel singolo Play That Song del gruppo americano Train, uscito a fine 2016.
$15.00 ≈
13.99€
CONCIERTO EN LA LUNA - TANGO FANTASIA
CONCIERTO EN LA LUNA - TANGO FANTASIA
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Tango
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OSMAR MADERNA
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DANTE C
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RITMICAS .-.
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CONCIERTO EN LA LUNA - TANGO F
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Dante Editions
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.887655 Composed by OSMAR MADERNA. Arranged by DANTE C. D'IORIO. 20th Century,Pop,World. Score and parts. 66 pages. Da...
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Full Orchestra - Level 4 - SKU: A0.887655 Composed by OSMAR MADERNA. Arranged by DANTE C. D'IORIO. 20th Century,Pop,World. Score and parts. 66 pages. Dante Editions #4642025. Published by Dante Editions (A0.887655). ESTA ES UNA OBRA INSTRUMENTAL CON RITMO DE TANGO - ES MUSICA NO CONDICIONADA POR LA POESIA POR LO TANTO OFRECE LA POSIBILIDAD DE CONSTRUIR UNA MELODIA MAS COMPLEJA Y CON MAYOR EXTENSION SONORA Y MELODICAMENTE CON MAS POSIBILIDADES RITMICAS .-.
$70.00 ≈
65.30€
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Editions Melodia
